Christian Dior Spring/Summer 2014

Retour au traditionnel Musée Rodin pour accueillir le défilé Dior Printemps-Eté 2014. Le thème reste lui aussi en accord avec l’histoire de la maison de couture, centré autour de la femme Fleur qui était le pilier central de Chrsitian Dior et sa principale source d’inspiration. Après des collections pour le moins surprenantes et bouleversantes de modernité et d’innovation, Raf Simons présente une collection toujours dans l’aire du temps pour ne pas dire futuriste mais qui reste fidèle au sens premier de la maison Dior. Des fleurs donc, et en quelle quantité! Le défilé a lieu dans l’un des jardins les plus exceptionnels de la capitale, le jardin du musée Rodin, des fleurs à tomber partout et qui nous replongent dans la première collection couture de Raf Simons, Automne-Hiver 2012 où des murs de fleurs avaient été dressés. Les fleurs encore pour le défilé couture Printemps-Eté 2013.
L’imprimé de ce été est très impressionniste, fleurs bleues, oranges et jaunes sur fond bleu clair. Certains looks sont classiques, enfin propres à chaque Raf Simons comme le smoking noir qui clôture le défilé… Petite révolution comme d’habitude chez Dior par Raf Simons, avec des robes nouvelle génération qui sont présentées, asymmétriques comme à son habitude, jupes plissées et robe effet éventail à la taille et aux épaules, bref le pli est vraiment la ligne directrice de la collection, robes du soir travaillées avec des sequins qui forment des pétales de fleurs… les robes du final argentées présentent toutes les formes qu’utilise Raf pour ses collections, depuis les mini robes sur pantalon cigarette aux robes hyper légères et en volume en forme cloche avec top noir…
Tous les looks du défilé dénotent une certaine culture universelle comme pour la collection couture de Juillet, et on est dans des inspirations asiatiques avec des structures hyper travaillées à la manière des costumes traditionnels japonais, inspiration européenne avec les fameux tailleur Bar par Raf.
Collection privée en hommage à la fleur qui se tient bien dans la lignée de Christian Dior, grand passionné des fleurs, en modernisant son style qui apparaît intemporel tout en conservant les codes qui font la renommée de la Maison.

Back to traditional Rodin Museum to host the Dior show Spring-Summer 2014. The theme is also faithful to the history of the fashion house , centered around the woman-flower who was the central pillar of Chrsitian Dior and his main source of inspiration. After collection at least surprising and shocking by their modernity and innovation, Raf Simons presents a collection still in the era of ​​time if not futuristic but remains faithful to the original meaning of Dior . Flowers so, and how much ! The show takes place in one of the most outstanding gardens of the capital, the garden of the Musée Rodin, flowers falling around and take us back to the first couture collection by Raf Simons Fall-Winter 2012 where walls flowers had been prepared. Flowers again for couture spring-summer 2013.  The printed this summer is very impressionist , blue, orange and yellow flowers on a light blue background. Some looks are classic, finally specific to Raf Simons as black tuxedo closing the show … Small revolution as usual by Raf Simons for Dior, with new generation dresses that are presented asymmetrical as usual , pleated skirts and dresses with a range effect to the waist and shoulders , the pleat is really the guideline of the collection , evening dresses worked with sequins forming flower petals … dresses in the final silver present all the shapes used by Raf for his collections, ranking from mini dresses on pants cigarette, hyper light dresses and bell -shaped volume with black tops …  All the looks from the show denote some universal culture as for the couture collection of July. Asian inspirations with hyper structures worked in the manner of traditional Japanese costumes, European-inspired with the famous tailor Bar by Raf.  Private tribute to the flower that stands well in line of Christian Dior, big fan of flowers, modernizing his style that appears timeless while keeping the codes that constitue the renown of the House.

Photo credits: vogue.fr

 

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